"Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto)" by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein was released on January 1, 1982. The duration of Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): Promenade IV | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Mass / II. First Introit (Rondo): I. Prefatory Prayers - Live | Leonard Bernstein, Meredith Lustig, Julia Burrows, Morgan James, Douglas Butler, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, The American Boychoir, Temple University Diamond Marching Band, Student Musicians from the School District of Philadelphia | G Minor | 3 | 6A | 107 BPM | ||
A White House Cantata / Part 1: If I Was a Dove | Leonard Bernstein, Victor Acquah, London Voices, London Symphony Orchestra, Kent Nagano | G Major | 0 | 9B | 76 BPM | ||
Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphony No.2 In C Minor - "Resurrection" / 5: Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" - Live | Gustav Mahler, Barbara Hendricks, New York Philharmonic, Leonard Bernstein, Westminster Choir, Joseph Flummerfelt | F♯ Major | 0 | 2B | 71 BPM | ||
Symphony No. 1 in D Major, Op. 25: II. Larghetto | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM |
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