"Copland: Symphony No. 3: III. Andantino quasi allegretto -" by Aaron Copland, San Francisco Symphony, Michael Tilson Thomas was released on March 13, 2020. Copland: Symphony No. 3: III. Andantino quasi allegretto - appears to be safe for all ages as it is not explicit. The song is number 3 out of 4 in Copland: Symphony No. 3 by Aaron Copland, San Francisco Symphony, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Copland: Symphony No. 3: III. Andantino quasi allegretto - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Copland: Symphony No. 3: III. Andantino quasi allegretto - by Aaron Copland, San Francisco Symphony, Michael Tilson Thomas is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 2 In D, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 108 BPM | ||
Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
Bernstein: West Side Story, Act 2: Ballet Sequence (Scherzo) | Leonard Bernstein, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 163 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, San Francisco Symphony, Michael Tilson Thomas | C Minor | 2 | 5A | 90 BPM | ||
Enigma Variations: Variation XIII. Romanza (***) - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Entr'acte No. 3, Andantino | Franz Schubert, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 0 | 6B | 69 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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