"Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps" by Olivier Messiaen, Martin Fröst was released on November 3, 2017. With this song being about 5 minutes long, at 5:01, "Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps" by Olivier Messiaen, Martin Fröst is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen's "Messiaen: Quatuor pour la fin du temps (Quartet for the End of Time)" album is number 2 out of 8. In terms of popularity, Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps by Olivier Messiaen, Martin Fröst to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring: Part Two: The Sacrifice: Mystical Circles of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | D♭ Minor | 0 | 12A | 82 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
String Quartet No. 4, BB 95: I. Allegro | Béla Bartók, Cavani Quartet | G Major | 1 | 9B | 112 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
24 Préludes, Op. 28: 2. In A Minor | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto | Johannes Brahms, Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | D Minor | 1 | 7A | 143 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM |
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