Johannes Brahms, Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti made "21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto" available on December 6, 2011. The duration of 21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 19 in Dances to a Black Pipe by Martin Fröst, Richard Tognetti. Based on our statistics, 21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1 (arr. G. Frost): No. 12. Presto by Johannes Brahms, Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 8 in A Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | A Minor | 2 | 8A | 149 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM |
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