"Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder"" by Franz Schubert, Mischa Maisky, Daria Hovora was released on January 1, 1996. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Schubert: Songs without Words". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. The popularity of Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" by Franz Schubert, Mischa Maisky, Daria Hovora having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Concerto for Strings in G Major, RV 151, "Alla Rustica": I. Presto | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | D Major | 3 | 10B | 107 BPM | ||
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Trio Wanderer | C Minor | 0 | 5A | 87 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
8 Pieces, Op. 39: VI. Impromptu | Reinhold Glière, Sonia Wieder-Atherton, Raphaël Oleg | F Major | 0 | 7B | 131 BPM |
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