Catalan Folksong - arr. Pablo Casals (1876-1973)
Anonymous, Mischa Maisky, Pavel Gililov
Mischa Maisky - Meditation
3:12 January 1, 1990
BPM
89
Key
A Minor
Camelot
8A

Embed

Share Link

Catalan Folksong - arr. Pablo Casals (1876-1973) - Anonymous, Mischa Maisky, Pavel Gililov Information

Acousticness
99%
Danceability
21%
Energy
4%
Instrumentalness
52%
Liveness
6%
Loudness
55%
Speechiness
5%
Valence
4%
Popularity
Loudness
-27.122 dB

Summary

"Catalan Folksong - arr. Pablo Casals (1876-1973)" by Anonymous, Mischa Maisky, Pavel Gililov was released on January 1, 1990. The duration of Catalan Folksong - arr. Pablo Casals (1876-1973) is about 3 minutes long, at 3:12. Based on our data, "Catalan Folksong - arr. Pablo Casals (1876-1973)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mischa Maisky, Pavel Gililov's "Mischa Maisky - Meditation" album is number 15 out of 18. On top of that, Germany appears to be the country where this track was created. Catalan Folksong - arr. Pablo Casals (1876-1973) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Catalan Folksong - arr. Pablo Casals (1876-1973) BPM

We consider the tempo marking of Catalan Folksong - arr. Pablo Casals (1876-1973) by Anonymous, Mischa Maisky, Pavel Gililov to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

Catalan Folksong - arr. Pablo Casals (1876-1973) Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Tristesse, Op.6, No.2 by Gabriel Fauré, Mischa Maisky, Daria HovoraTristesse, Op.6, No.2Gabriel Fauré, Mischa Maisky, Daria HovoraF Minor04A97 BPM
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaKeyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di moltoCarl Philipp Emanuel Bach, Ana-Marija MarkovinaA Major111B0 BPM
Orchestral Suite No.3 In D Major, BWV 1068 (Arr. For Violoncello And Piano By Mischa Maisky): 2. Air by Johann Sebastian Bach, Mischa Maisky, Daria HovoraOrchestral Suite No.3 In D Major, BWV 1068 (Arr. For Violoncello And Piano By Mischa Maisky): 2. AirJohann Sebastian Bach, Mischa Maisky, Daria HovoraD Major010B89 BPM
Valse sentimentale, Op.51, No.6 by Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel SandersValse sentimentale, Op.51, No.6Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel SandersA Minor08A74 BPM
Dido and Aeneas, Z. 626 / Act III: Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu HerzogG Minor16A77 BPM
Melody from « Orfeo » by Christoph Willibald Gluck, Roberto GiordanoMelody from « Orfeo »Christoph Willibald Gluck, Roberto GiordanoG Minor26A115 BPM
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana by Manuel de Falla, Rohan De Saram, Junko YamamotoSuite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. NanaManuel de Falla, Rohan De Saram, Junko YamamotoA Major011B64 BPM
Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro by Antonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida ThompsonConcerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. AllegroAntonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida ThompsonG Minor46A141 BPM
Serenade (arr. for cello and guitar) by Anonymous , Gaspar Cassadó, Claremont DuoSerenade (arr. for cello and guitar)Anonymous , Gaspar Cassadó, Claremont DuoB♭ Major16B74 BPM
ISRC
DEF058704890
Label
L-M Records/RCA Records

Section: 1.0179111957550049

End: 1.022547721862793