"Catalan Folksong - arr. Pablo Casals (1876-1973)" by Anonymous, Mischa Maisky, Pavel Gililov was released on January 1, 1990. The duration of Catalan Folksong - arr. Pablo Casals (1876-1973) is about 3 minutes long, at 3:12. Based on our data, "Catalan Folksong - arr. Pablo Casals (1876-1973)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mischa Maisky, Pavel Gililov's "Mischa Maisky - Meditation" album is number 15 out of 18. On top of that, Germany appears to be the country where this track was created. Catalan Folksong - arr. Pablo Casals (1876-1973) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Catalan Folksong - arr. Pablo Casals (1876-1973) by Anonymous, Mischa Maisky, Pavel Gililov to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Tristesse, Op.6, No.2 | Gabriel Fauré, Mischa Maisky, Daria Hovora | F Minor | 0 | 4A | 97 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Orchestral Suite No.3 In D Major, BWV 1068 (Arr. For Violoncello And Piano By Mischa Maisky): 2. Air | Johann Sebastian Bach, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 89 BPM | ||
Valse sentimentale, Op.51, No.6 | Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel Sanders | A Minor | 0 | 8A | 74 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro | Antonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida Thompson | G Minor | 4 | 6A | 141 BPM | ||
Serenade (arr. for cello and guitar) | Anonymous , Gaspar Cassadó, Claremont Duo | B♭ Major | 1 | 6B | 74 BPM |
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