- BPM
- 64
- Key
- A Major
- Camelot
- 11B
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana - Manuel de Falla, Rohan De Saram, Junko Yamamoto Information
- Acousticness
- 97%
- Danceability
- 19%
- Energy
- 1%
- Instrumentalness
- 92%
- Liveness
- 7%
- Loudness
- 44%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 11%
- Loudness
- -33.448 dB
Summary
"Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana" by Manuel de Falla, Rohan De Saram, Junko Yamamoto was released on May 1, 2020. The duration of Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Requiebros". In this album, this song's track order is #4. Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana BPM
With Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana by Manuel de Falla, Rohan De Saram, Junko Yamamoto having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | |
 | Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Bertrand Chamayou | D♭ Major | 2 | 3B | 102 BPM | |
 | Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | |
 | Trio Sonata in F for 2 Violins and Continuo, Op. 1/5 , RV 69: 3. Corrente (Allegro) | Antonio Vivaldi, Salvatore Accardo, Franco Gulli, Rohan De Saram, Bruno Canino | D♭ Minor | 2 | 12A | 89 BPM | |
 | Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | |
 | Piezas Españolas: Montañesa (Paisaje) | Manuel de Falla, Joaquin Achúcarro | F Minor | 0 | 4A | 63 BPM | |
 | Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7207901477813721
End: 0.7243669033050537