"The Rite of Spring: Part Two: The Sacrifice: Mystical Circles of the Young Girls" by Igor Stravinsky, Teodor Currentzis, musicAeterna was released on October 9, 2015. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Stravinsky: Le Sacre du Printemps". In this album, this song's track order is #10. The Rite of Spring: Part Two: The Sacrifice: Mystical Circles of the Young Girls is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rite of Spring: Part Two: The Sacrifice: Mystical Circles of the Young Girls by Igor Stravinsky, Teodor Currentzis, musicAeterna having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Teodor Currentzis, musicAeterna | A Major | 6 | 11B | 136 BPM | ||
The Seasons, Op. 67: VII. Scene 2, Le Printemps | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | F♯ Major | 1 | 2B | 94 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
Turangalîla Symphonie: 9. Turangalîla 3 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | B♭ Major | 1 | 6B | 112 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, David Zinman | C Major | 2 | 8B | 121 BPM | ||
Trio for Piano, Oboe and Bassoon: Rondo - Très vif | London Conchord Ensemble | D♭ Major | 2 | 3B | 74 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM |
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