Elliott Carter, Ursula Oppens made "2 Thoughts About the Piano: No. 2. Catenaires" available on October 1, 2008. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in Carter, E.: Piano Music (Complete) by Elliott Carter, Ursula Oppens. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 2 Thoughts About the Piano: No. 2. Catenaires is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 2 Thoughts About the Piano: No. 2. Catenaires by Elliott Carter, Ursula Oppens is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
2 Controversies and a Conversation: No. 2, Controversy II | Elliott Carter, Colin Currie, Pierre-Laurent Aimard, Birmingham Contemporary Music Group, Oliver Knussen | F♯ Major | 0 | 2B | 141 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Sonatina for Violin & Piano, Op. 6: III. Very Fast | Heinz Roemheld, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
String Quartet, Op. 56 "Voces intimae": IV. Allegretto (ma pesante) | Jean Sibelius, Vertavo String Quartet | F Major | 1 | 7B | 83 BPM | ||
Four Scenes of Childhood: IV. Bedtime Story "The Fairy Princess" | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Three Miniatures for Solo Violin: II. A Canon for Sally | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XV | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM |
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