ROBERTO CARPIO, Juan José Chuquisengo's 'R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano)' came out on April 14, 2024. With R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) only contains only one song in the album, we like to consider this song as a single. Based on our statistics, R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) by ROBERTO CARPIO, Juan José Chuquisengo having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonatina "in diem Nativitatis Christi MCMXVII" (No. 4), BV 274 | Ferruccio Busoni, Chiyan Wong | F Major | 0 | 7B | 129 BPM | ||
Piano Sonata In F Minor, P. 16: II. Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Major | 0 | 4B | 132 BPM | ||
Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
Say: Troy Sonata, Op. 78: II. Aegean Winds | Fazıl Say | C Major | 2 | 8B | 74 BPM | ||
With Time | 壷阪健登 | A♭ Major | 2 | 4B | 109 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
12 Études, CD 143: No. 3, Pour les quartes | Claude Debussy, Steven Osborne | F Minor | 0 | 4A | 71 BPM | ||
Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.4 in E minor: Prelude | Dmitri Shostakovich, Vladimir Ashkenazy | E Minor | 0 | 9A | 66 BPM | ||
The Rite of Spring, Pt. 1: Adoration of the Earth - Introduction | Valeria Szervánszky, Ronald Cavaye | E Major | 1 | 12B | 64 BPM | ||
Allegro barbaro, BB 63: Allegro barbaro, Sz. 49 | Béla Bartók, Jenő Jandó | E♭ Major | 1 | 5B | 90 BPM |
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