"Piano Sonata In F Minor, P. 16: II. Lento" by Ottorino Respighi, Konstantin Scherbakov was released on December 12, 1997. With this song being about 5 minutes long, at 5:26, "Piano Sonata In F Minor, P. 16: II. Lento" by Ottorino Respighi, Konstantin Scherbakov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Respighi: Piano Music". In this album, this song's track order is #16. Based on our statistics, Piano Sonata In F Minor, P. 16: II. Lento's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Sonata In F Minor, P. 16: II. Lento by Ottorino Respighi, Konstantin Scherbakov having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Piano Pieces, Op.118: 6. Intermezzo In E Flat Minor | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | A♭ Major | 2 | 4B | 87 BPM | ||
Nocturnes n°6 en sol majeur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 65 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Préludes - Book II, L. 123: I. Brouillards | Claude Debussy, Maurizio Pollini | B♭ Major | 2 | 6B | 121 BPM | ||
Piano Sonata No.17 In D Minor, Op.31 No.2 -"Tempest": 2. Adagio | Ludwig van Beethoven, Maurizio Pollini | B♭ Major | 0 | 6B | 79 BPM | ||
Années de pèlerinage I, S. 160: IV. Au bord d'une source | Franz Liszt, Lazar Berman | D Minor | 1 | 7A | 125 BPM | ||
3 Klavierstücke, D.946: No.1 in E flat minor (Allegro assai) | Franz Schubert, Mitsuko Uchida | E♭ Minor | 0 | 2A | 96 BPM | ||
Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 58 BPM | ||
24 Préludes, Op. 28: 21. In B Flat Major | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM |
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