"Études, Book 1: No. 2, Cordes à vide" by György Ligeti, Pierre-Laurent Aimard was released on December 11, 1996. The duration of Études, Book 1: No. 2, Cordes à vide is about 3 minutes long, at 3:16. Based on our data, "Études, Book 1: No. 2, Cordes à vide" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in György Ligeti, Pierre-Laurent Aimard's "György Ligeti Edition, Vol. 3" album is number 2 out of 26. Based on our statistics, Études, Book 1: No. 2, Cordes à vide's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Études, Book 1: No. 2, Cordes à vide by György Ligeti, Pierre-Laurent Aimard to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115): II. Lento ma non troppo | Béla Bartók, Pierre-Laurent Aimard, Tamara Stefanovich, Neil Percy, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 136 BPM | ||
Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Bertrand Chamayou | B Major | 0 | 1B | 69 BPM | ||
Six Melodies - performed on Violin and Harp: No.1 Rubato | John Cage, Gidon Kremer, Naoko Yoshino | D Minor | 0 | 7A | 113 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM |
Section: 1.1090104579925537
End: 1.1139075756072998