"Symphony No.2: 1. Andante moderato" by Charles Ives, New York Philharmonic, Leonard Bernstein was released on January 1, 1990. Symphony No.2: 1. Andante moderato is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 1 out of 11 in Charles Ives: Symphony No.2 by Charles Ives, New York Philharmonic, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Symphony No.2: 1. Andante moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.2: 1. Andante moderato by Charles Ives, New York Philharmonic, Leonard Bernstein is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Valses nobles et sentimentales, M.61: 7. Moins vif | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 168 BPM | ||
Carmen Suite No. 2: Danse bohème. Andante quasi Allegretto (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D♭ Minor | 4 | 12A | 129 BPM | ||
Symphony No.2: 5. Allegro molto vivace | Charles Ives, New York Philharmonic, Leonard Bernstein | F Major | 2 | 7B | 136 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Mass / XV. Agnus Dei: a. "Agnus Dei, qui tollis peccata mundi" - Live | Leonard Bernstein, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir | E♭ Major | 2 | 5B | 79 BPM | ||
Symphony No. 1 in D Major, Op. 25: III. Gavotta. Non troppo allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto - Allegretto | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 120 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 1: Chorus "Come, ye Daughters" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | E Minor | 3 | 9A | 64 BPM |
Section: 0.6641354560852051
End: 0.6684911251068115