Olivier Messiaen, Martin Fröst's 'Quatuor pour la fin du Temps: IV. Intermède' came out on November 3, 2017. With Quatuor pour la fin du Temps: IV. Intermède being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen's "Messiaen: Quatuor pour la fin du temps (Quartet for the End of Time)" album is number 4 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Quatuor pour la fin du Temps: IV. Intermède is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quatuor pour la fin du Temps: IV. Intermède by Olivier Messiaen, Martin Fröst to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation II | Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek | B♭ Major | 1 | 6B | 71 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
Klezmer Dances | Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | D Minor | 2 | 7A | 91 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 64 BPM | ||
Clarinet Concertino in C Minor / E-Flat Major, Op. 26, J. 109 | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | E♭ Major | 0 | 5B | 103 BPM | ||
Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation I | Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek | D Major | 4 | 10B | 73 BPM |
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