"Mass / XV. Agnus Dei: a. "Agnus Dei, qui tollis peccata mundi" - Live" by Leonard Bernstein, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir was released on March 16, 2018. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 30 out of 39 in Bernstein: Mass (Live) by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin. Mass / XV. Agnus Dei: a. "Agnus Dei, qui tollis peccata mundi" - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass / XV. Agnus Dei: a. "Agnus Dei, qui tollis peccata mundi" - Live by Leonard Bernstein, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songfest: 1. "To The Poem" | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington | E Minor | 3 | 9A | 85 BPM | ||
A White House Cantata / Part 1: Ten Miles by the Potomac River | Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | G Major | 1 | 9B | 132 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, New York Philharmonic, Leonard Bernstein | D♭ Minor | 0 | 12A | 111 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Peter and the Wolf, Op. 67: Poco più andante | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM | ||
Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 108 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Plank Round | Linda Eder, Daniel Narducci, Alaxander Frey | F Minor | 5 | 4A | 114 BPM |
Section: 0.8615601062774658
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