Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano's 'A White House Cantata / Part 1: Ten Miles by the Potomac River' came out on January 1, 2000. A White House Cantata / Part 1: Ten Miles by the Potomac River is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 2 out of 18 in Bernstein: A White House Cantata by Leonard Bernstein, London Symphony Orchestra, Kent Nagano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, A White House Cantata / Part 1: Ten Miles by the Potomac River's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A White House Cantata / Part 1: Ten Miles by the Potomac River by Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra] | Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | G Major | 3 | 9B | 96 BPM | ||
Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 174 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Thirteen Anniversaries: 13. In Memoriam: Ellen Goetz | Leonard Bernstein, Katie Mahan | A♭ Major | 0 | 4B | 64 BPM | ||
Peter and the Wolf, Op. 67: Andante molto | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM | ||
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM |
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