"Roman Carnival Overture, Op. 9, H. 95" by Hector Berlioz, Charles Münch was released on 1958. Since Roman Carnival Overture, Op. 9, H. 95 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Berlioz: Harold in Italy; The Roman Carnival Overture; Benvenuto Cellini Overture; Le Corsaire Overture; Beatrice et Benedict Overture by Hector Berlioz, Charles Münch. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Roman Carnival Overture, Op. 9, H. 95 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roman Carnival Overture, Op. 9, H. 95 by Hector Berlioz, Charles Münch is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Colas Breugnon Overture, Op. 24 | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic | F Major | 3 | 7B | 132 BPM | ||
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 3. Menuetto (Allegro molto) | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Minor | 1 | 6A | 181 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM |
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