Georges Bizet, Leonard Bernstein, New York Philharmonic's 'Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II)' came out on December 22, 2017. The duration of Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. In terms of popularity, Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) by Georges Bizet, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
The Rite of Spring (1913 Version): Adoration of the Earth, Part I: Ritual of the Rival Tribes | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E♭ Major | 5 | 5B | 165 BPM | ||
Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | ||
The Enchanted Lake, Op. 62 | Anatoly Lyadov, Alan Gilbert, New York Philharmonic | D♭ Major | 0 | 3B | 71 BPM | ||
Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM |
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