Jacques Offenbach, Orchestre National de Lille, Darrell Ang made "La belle Hélène: Overture" available on November 10, 2017. Since La belle Hélène: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Offenbach: Overtures". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. La belle Hélène: Overture is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With La belle Hélène: Overture by Jacques Offenbach, Orchestre National de Lille, Darrell Ang having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 0 | 4B | 96 BPM | ||
The Gadfly Suite, Op. 97a: III. Folk Feast (National Holiday) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 161 BPM | ||
Colas Breugnon Overture, Op. 24 | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic | F Major | 3 | 7B | 132 BPM | ||
Neapolitanskaya pesenka (Neapolitan song), Op. 63 (version for piano 4-hands) | Nikolai Rimsky-Korsakov, Caroline Clemmow, Anthony Goldstone | G Major | 1 | 9B | 104 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM |
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