"Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter" by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar was released on September 21, 1994. With this song being about 5 minutes long, at 5:19, "Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter" by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Prokofiev: Cinderella Suites / Scythian Suite". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
The Firebird Suite (1919 Version): Variation of the Firebird - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 5 | 3A | 118 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 129 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - Vivace | Alexander Borodin, Budapest Haydn Quartet | D Major | 2 | 10B | 120 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo (Vivacissimo) | Sergei Prokofiev, Vilde Frang/WDR Sinfonieorchester Köln/Thomas Søndergård, Thomas Søndergård, WDR Sinfonieorchester Köln | A Minor | 2 | 8A | 133 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM |
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