On January 1, 1992, the song "Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"" was released by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate. The duration of Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez | B♭ Minor | 1 | 3A | 80 BPM | ||
Im Abendrot, D.799 | Franz Schubert, Anne Sofie von Otter, Bengt Forsberg | D Major | 1 | 10B | 91 BPM | ||
MOZART: SYMPHONY NO. 36 IN C, K.425 (LINZ): III. MENUETTO AND TRIO | Jeffrey Tate | C Major | 0 | 8B | 126 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
La carte du tendre | Joseph Mustacchi, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 2 | 2B | 163 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |
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