Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen - Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez Information

Acousticness: 98%
Danceability: 15%
Energy: 7%
Instrumentalness: 0%
Liveness: 10%
Loudness: 53%
Speechiness: 6%
Valence: 10%
Popularity: 8%
Loudness: -28.228 dB

Summary

"Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen" by Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2004. The duration of Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen is about 3 minutes long, at 3:01. Based on our data, "Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Mahler, Violeta Urmana, Anne Sofie von Otter, Thomas Quasthoff's "Mahler: Song Cycles" album is number 13 out of 14. Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen BPM

We consider the tempo marking of Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen by Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No.1 in F sharp minor, Op.1: 2. Andante	Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn	D Major	0	10B	85 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante	Dmitri Shostakovich, Leonard Bernstein	F Major	1	7B	172 BPM
Symphony No. 2: II. Allegro molto	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	F Major	1	7B	146 BPM
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck	Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin	F Major	1	7B	111 BPM
2 Elegiac Melodies, Op. 34: II. The Last Spring	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	85 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo	Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E Major	0	12B	81 BPM
Symphony In D Minor: 2. Allegretto	César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel	A Major	2	11B	73 BPM
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto	Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber	A♭ Major	0	4B	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7210328578948975

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