Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János's 'Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix"' came out on January 1, 2001. Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 26 in the song's album "Saint-Saens: Le Carnaval des Animaux; Organ Symphony". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" by Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op.24, TH.5 / Act 1: Letter scene. "Puskai pogilabnu ya, no pryezhde" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D♭ Major | 1 | 3B | 81 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: III. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | A Major | 0 | 11B | 119 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Trois chansons, M.69: 2. Trois beaux oiseaux du Paradis | Maurice Ravel, Nicola Jenkin, Susan Gritton, Nicolas Robertson, Julian Clarkson, The Monteverdi Choir, John Eliot Gardiner | F Minor | 0 | 4A | 83 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 3. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | D Major | 2 | 10B | 81 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
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