"Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena)" by Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi was released on January 1, 2013. The duration of Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) is about 3 minutes long, at 3:19. Based on our data, "Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Best Of Elina Garanca". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) by Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: "Dôme épais" - Live | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 77 BPM | ||
Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito | Xavier Montsalvatge, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D♭ Major | 0 | 3B | 178 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Rückert Lieder: IV. Blicke mir nicht in die Lieder - Live from Salzburg | Gustav Mahler, Elina Garanca, Wiener Philharmoniker, Christian Thielemann | F Major | 1 | 7B | 104 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Dievaines | Ugis Praulins, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | A Major | 2 | 11B | 68 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
Youkali | Kurt Weill, Ludwig Orchestra, Barbara Hannigan | D Minor | 2 | 7A | 115 BPM |
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