"Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito" by Xavier Montsalvatge, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon was released on January 1, 2010. The duration of Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon's "Habanera" album is number 5 out of 19. On top of that, Germany appears to be the country where this track was created. The popularity of Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito by Xavier Montsalvatge, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Cinco canciones negras: Punto de habanera | Xavier Montsalvatge, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | B♭ Major | 2 | 6B | 131 BPM | ||
Perimplinada (version for piano): IX. Andantino ritmico | Federico Mompou, Xavier Montsalvatge, Jordi Masó | G Major | 1 | 9B | 122 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
3 Simple Songs: No. 1. At vaere (To Be) | Niels Rosing-Schow, Helene Gjerris, Jesper Sivebæk | B♭ Minor | 3 | 3A | 101 BPM | ||
Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | E Minor | 3 | 9A | 131 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Debussy / Arr. Heifetz for Violin and Piano: Beau soir, CD 84, L. 6 | Claude Debussy, Tasmin Little, Piers Lane | F♯ Minor | 0 | 11A | 172 BPM |
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