"Les chemins de l'amour, FP 106" by Francis Poulenc, Jessye Norman, Dalton Baldwin was released on January 1, 1977. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jessye Norman, Dalton Baldwin's "Les chemins de l'amour - Songs By Duparc, Ravel, Poulenc & Satie" album is number 10 out of 14. On top of that, Netherlands appears to be the country where this track was created. Les chemins de l'amour, FP 106 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les chemins de l'amour, FP 106 by Francis Poulenc, Jessye Norman, Dalton Baldwin to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande No. 2 | Erik Satie, Francis Poulenc | E♭ Minor | 0 | 2A | 137 BPM | ||
Fauré: Pleurs d'or, Op. 72 | Albert Samain, Gabriel Fauré, Elly Ameling, Dalton Baldwin, Gérard Souzay | E♭ Major | 1 | 5B | 111 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Nuit d'étoiles, L. 4 | Claude Debussy, Jessye Norman, James Levine | E♭ Major | 0 | 5B | 174 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5 for Soprano and 8 Cellos, W. 389: I. Aria in A Minor (Cantilena. Adagio) | Heitor Villa-Lobos, Enrique Bátiz, Royal Philharmonic Orchestra | F Major | 1 | 7B | 104 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM |
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