Linda Eder, Daniel Narducci, Alaxander Frey made "Plank Round" available on June 21, 2005. The duration of Plank Round is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Plank Round's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 30 in Bernstein: Peter Pan by Linda Eder, Daniel Narducci, Alaxander Frey. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Plank Round is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Plank Round by Linda Eder, Daniel Narducci, Alaxander Frey is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore | Gilbert & Sullivan Society of Houston | B Major | 3 | 1B | 138 BPM | ||
Three Little Maids From School Are We from The Mikado - Voice | Arthur Sullivan, Carl Davis, Dorothy Atkinson, Shirley Henderson | C Major | 3 | 8B | 116 BPM | ||
Lincolnshire Posy: II. Horkstow Grange | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | D♭ Major | 0 | 3B | 66 BPM | ||
Carmina Burana: XXII. Tempus est iocundum | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 3 | 10B | 127 BPM | ||
Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM | ||
Billy the Kid - complete ballet: Street In A Frontier Town | Aaron Copland, Baltimore Symphony Orchestra, David Zinman | F Minor | 1 | 4A | 139 BPM | ||
Pedro y el lobo, Op. 67: VI. El gato | Sergei Prokofiev, Orchestre de la Suisse Romande, Kent Nagano, Antonio Banderas | C Major | 1 | 8B | 100 BPM | ||
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" | Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 85 BPM | ||
The Pirates of Penzance: I Am a Pirate King | Center Stage Orchestra, Singers | C Major | 3 | 8B | 90 BPM | ||
Die Walküre, WWV 86B / Act 3: "Hojotoho! Hojotoho!"...Ride Of The Valkyries | Richard Wagner, Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 89 BPM |
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