- BPM
- 85
- Key
- D♭ Major
- Camelot
- 3B
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" - Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli Information
- Acousticness
- 94%
- Danceability
- 12%
- Energy
- 9%
- Instrumentalness
- 41%
- Liveness
- 24%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 24%
- Loudness
- -15.267 dB
Summary
"Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan"" by Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli was released on January 1, 1991. With this song being about 5 minutes long, at 4:36, "Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan"" by Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #10. Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" BPM
With Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" by Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater, Op. 58: VIII. Fac, ut portem Christi mortem (Larghetto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Maximilian Schmitt | D Major | 0 | 10B | 130 BPM | |
 | War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | |
 | Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | |
 | Wagner: Lohengrin, Act 1: "Hört, Grafen, Edle, Freie von Brabant!" (Herald, Henry, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, René Pape, Roman Trekel, Staatskapelle Berlin | D♭ Major | 1 | 3B | 126 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | |
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | |
 | Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | |
 | Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | |
 | Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | |
 | Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5771212577819824
End: 0.5804293155670166