George Benjamin, Carolin Widmann's 'Three Miniatures for Solo Violin: II. A Canon for Sally' came out on June 17, 2022. The duration of Three Miniatures for Solo Violin: II. A Canon for Sally is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Three Miniatures for Solo Violin: II. A Canon for Sally's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carolin Widmann, Eugène Ysaÿe, George Benjamin, George Enescu, Hildegard von Bingen, Johann Sebastian Bach's "L’Aurore" album is number 4 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Three Miniatures for Solo Violin: II. A Canon for Sally is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Miniatures for Solo Violin: II. A Canon for Sally by George Benjamin, Carolin Widmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In E Minor, Op. 64, MWV O14: 2. Andante - Allegretto non troppo | Felix Mendelssohn, Carolin Widmann, Chamber Orchestra of Europe | C Major | 0 | 8B | 89 BPM | ||
Volon | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
Lessons in Love And Violence: Part 2, Scene 6: V. Why Do I Feel Nothing | George Benjamin, Martin Crimp, Gyula Orendt, Stéphane Degout, Netherlands Radio Philharmonic Orchestra | A♭ Major | 3 | 4B | 175 BPM | ||
Nonet: IIa. Tempo ad lib. | André Previn, Anne-Sophie Mutter, Mohamed Hiber, Hwayoon Lee, Lionel Martin, Elias David Moncado, Samuel Nebyu, Matthew Lipman, Margarita Balanas, Dominik Wagner | D Minor | 1 | 7A | 104 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Avalon String Quartet | A Major | 1 | 11B | 84 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Presto | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Violin Concerto In D Minor, WoO 23: 2. Langsam | Robert Schumann, Carolin Widmann, Chamber Orchestra of Europe | C Major | 2 | 8B | 89 BPM | ||
Études, Book 1: No. 4, Fanfares | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 2 | 3B | 119 BPM |
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