Thomas Adès, Mark Simpson, Quatuor Diotima made "Alchymia: II. The Woods So Wild" available on October 13, 2023. The duration of Alchymia: II. The Woods So Wild is about 3 minutes long, at 3:10. Based on our data, "Alchymia: II. The Woods So Wild" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 4 in the song's album "Thomas Adès: Alchymia". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Alchymia: II. The Woods So Wild is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Alchymia: II. The Woods So Wild by Thomas Adès, Mark Simpson, Quatuor Diotima having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Krzysztof Meyer: Sonata No.4, Op.22: IV. Interludio II | Krzysztof Meyer, Manuel Fernandez | C Major | 0 | 8B | 106 BPM | ||
Piano Quartet | Huw Watkins, Leonore Piano Trio, Rachel Roberts | D♭ Major | 1 | 3B | 102 BPM | ||
Arcadiana: IV. Et... (tango mortale) | Thomas Adès, Calder Quartet | B♭ Major | 0 | 6B | 108 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra | G Major | 3 | 9B | 82 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: IV. Finale. Allegro | Frédéric Chopin, Paul Tortelier, Aldo Ciccolini | G Major | 1 | 9B | 69 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): III. Den Hoboeckendans | Tylman Susato, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
The Companion Guide To Rome: II Benedetto | Andrew Norman, A Far Cry | G Major | 2 | 9B | 115 BPM | ||
On an Overgrown Path, Series I: They Chattered like Swallows | Leoš Janáček, Thomas Adès | A♭ Minor | 1 | 1A | 112 BPM | ||
Adès: Traced Overhead, Op. 15: III. Chori | Thomas Adès | A♭ Major | 0 | 4B | 68 BPM |
Section: 0.8034729957580566
End: 0.8081657886505127