"Adès: Traced Overhead, Op. 15: III. Chori" by Thomas Adès was released on March 31, 1997. Since Adès: Traced Overhead, Op. 15: III. Chori is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Piano Works - Ades". In this album, this song's track order is #14. Adès: Traced Overhead, Op. 15: III. Chori is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Traced Overhead, Op. 15: III. Chori by Thomas Adès having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Romance oubliée, S. 132 (Cello & Piano Version) | Franz Liszt, Thomas Adès, Steven Isserlis | A♭ Minor | 0 | 1A | 92 BPM | ||
The Four Quarters: I. Nightfalls | Thomas Adès, The Solem Quartet, Amy Tress, William Newell, Stephen Upshaw, Stephanie Tress | E♭ Minor | 0 | 2A | 94 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
Colette | Thomas Adès | D♭ Major | 0 | 3B | 131 BPM | ||
Ma mère l'Oye, M. 60: I. Pavane de la belle au bois dormant - Lent | Maurice Ravel, Louis Lortie, Hélène Mercier | C Major | 0 | 8B | 116 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM |
Section: 0.6778426170349121
End: 0.7095987796783447