- BPM
- 92
- Key
- A♭ Minor
- Camelot
- 1A
Romance oubliée, S. 132 (Cello & Piano Version) - Franz Liszt, Thomas Adès, Steven Isserlis Information
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 2%
- Instrumentalness
- 34%
- Liveness
- 17%
- Loudness
- 51%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -29.575 dB
Summary
"Romance oubliée, S. 132 (Cello & Piano Version)" by Franz Liszt, Thomas Adès, Steven Isserlis was released on September 28, 2012. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Steven Isserlis, Franz Liszt, Thomas Adès, Leoš Janáček, Gabriel Fauré, György Kurtág's "Lieux retrouvés: Music for Cello & Piano – Liszt, Fauré, Janáček, Kurtág, Adès" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romance oubliée, S. 132 (Cello & Piano Version) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romance oubliée, S. 132 (Cello & Piano Version) BPM
We consider the tempo marking of Romance oubliée, S. 132 (Cello & Piano Version) by Franz Liszt, Thomas Adès, Steven Isserlis to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
Romance oubliée, S. 132 (Cello & Piano Version) Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adagio in G Minor (Arr. for Harp and Orchestra) | Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo | C Minor | 1 | 5A | 175 BPM | |
 | 3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | |
 | Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | |
 | The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | |
 | Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | |
 | Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | |
 | 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | |
 | Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM |
- ISRC
- GBAJY1294801
- Label
- L-M Records/RCA Records
Section: 0.7388415336608887
End: 0.7431976795196533