Carl Maria von Weber, Michael Endres's '7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante' came out on March 1, 2011. With 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Piano Works by Carl Maria von Weber, Michael Endres. The song's track number on the album is #13 out of 40 tracks. The popularity of 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante by Carl Maria von Weber, Michael Endres has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Horn Concertino in E Minor, Op. 45, J. 188: II. Andante con moto | Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | E Major | 1 | 12B | 147 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 4 | Carl Maria von Weber, Michael Endres | F Major | 1 | 7B | 111 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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