Carl Maria von Weber, Michael Endres's '7 Variations on an original theme, Op. 9, J. 55: Variation 4' came out on March 1, 2011. With 7 Variations on an original theme, Op. 9, J. 55: Variation 4 being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Piano Works by Carl Maria von Weber, Michael Endres. The song's track number on the album is #9 out of 40 tracks. In terms of popularity, 7 Variations on an original theme, Op. 9, J. 55: Variation 4 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 7 Variations on an original theme, Op. 9, J. 55: Variation 4 by Carl Maria von Weber, Michael Endres has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With 7 Variations on an original theme, Op. 9, J. 55: Variation 4 being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in E Major, D. 610 | Franz Schubert, Michael Endres | E Major | 0 | 12B | 83 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | A♭ Major | 0 | 4B | 112 BPM | ||
Brahms - Op.117 No.1 Intermezzo E-flat major | Elena Kuschnerova | E♭ Major | 0 | 5B | 65 BPM | ||
30 Piano études, Op. 26: No. 2 in C Major, Moderato | Louise Farrenc, Maria Stratigou | C Major | 2 | 8B | 93 BPM | ||
Keyboard Sonata in F-Sharp Minor, Wq. 52/4, H. 37: I. Allegro | Carl Philipp Emanuel Bach, Christopher Hinterhuber | A Major | 1 | 11B | 110 BPM | ||
Piano Trio in A Minor, Op. 50: II. Variation 10 | Pyotr Ilyich Tchaikovsky, Alexandra Troussova, Kirill Troussov, Benedict Kloeckner | C Major | 1 | 8B | 109 BPM | ||
Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3) | Franz Liszt, Joseph Banowetz | F Major | 1 | 7B | 125 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Piano Sonata No. 4 in E Minor, Op. 70, J. 287: I. Moderato: Con anima | Carl Maria von Weber, Michael Endres | E Minor | 1 | 9A | 135 BPM | ||
Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260 | Camille Saint-Saëns, Peter Phillips, Richard Epstein | G Major | 1 | 9B | 63 BPM |
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