Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres's '6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto' came out on January 1, 2007. With this song being about 5 minutes long, at 4:44, "6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto" by Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Schubert: Arpeggione Sonata / Schwanengesang (Arr. for Viola and Piano) / Kalliwoda: 6 Nocturnes". In this album, this song's track order is #4. In terms of popularity, 6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto by Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 31: No. 1. Berceuse | Ottorino Respighi, Emy Bernecoli, Massimo Giuseppe Bianchi | D Minor | 1 | 7A | 102 BPM | ||
String Quartet No. 3 in E-Flat Minor, Op. 30: IV. Finale: Allegro non troppo e risoluto | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | C Minor | 2 | 5A | 121 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Symphony No. 1, Op. 11: II. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major: Allegro poco moderato | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: II. Coda: Moderato | Anton Arensky, Ying Quartet | A Minor | 1 | 8A | 82 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: III. Minuet (Old Style) - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Piano Concerto in E Major, Wq. 14. H. 417: III. Allegro assai | Carl Philipp Emanuel Bach, Orazio Sciortino, Orchestra di Padova e del Veneto | C Major | 1 | 8B | 97 BPM | ||
Oboe Concertino in G Major, Bryan G5: II. Minuetto. Moderato | Johann Baptist Vanhal, Vojtěch Podroužek, Jan Karas, Magdaléna Kutišová, Libor Ježek, Pavla Honsová, David Matoušek, Petr Kupčák, Michael Halasz | G Major | 1 | 9B | 117 BPM |
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