"Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3)" by Franz Liszt, Joseph Banowetz was released on November 3, 1997. The duration of Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Joseph Banowetz's "Liszt Complete Piano Music, Vol. 6: Complete Song Transcriptions of Chopin, Mendelssohn and Robert & Clara Schumann" album is number 30 out of 30. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mendelssohns Lieder, S. 547: Fruhlingslied (from Op. 47, No. 3) by Franz Liszt, Joseph Banowetz to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: II. Fugue | Maurice Ravel, Anne Queffélec | E Minor | 0 | 9A | 74 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
2 Pieces, Op. 10, TH 132: 2. Humoresque | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | D Minor | 0 | 7A | 82 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
24 Preludes, Op. 11: No. 22 in G Minor | Alexander Scriabin, Evgeny Zarafiants | G Minor | 0 | 6A | 72 BPM | ||
Trois pièces: Hymne | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 71 BPM | ||
25 Études faciles et progressives, Op. 100: No. 3, La pastorale | Franz Burgmüller, Carl Petersson | G Major | 1 | 9B | 106 BPM |
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