- BPM
- 71
- Key
- F Major
- Camelot
- 7B
Dolly, Op.56: 2. Mi-A-Ou - Gabriel Fauré, Katia Labèque, Marielle Labèque Information
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 7%
- Instrumentalness
- 93%
- Liveness
- 7%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 24%
- Popularity
- 15%
- Loudness
- -25.145 dB
Summary
Gabriel Fauré, Katia Labèque, Marielle Labèque's 'Dolly, Op.56: 2. Mi-A-Ou' came out on January 1, 2015. The duration of Dolly, Op.56: 2. Mi-A-Ou is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Dolly, Op.56: 2. Mi-A-Ou's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Fauré: Dolly Suite; Nocturnes; Barcarolles; Impromptus by Gabriel Fauré, Katia Labèque, Marielle Labèque, Pascal Rogé. Dolly, Op.56: 2. Mi-A-Ou is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dolly, Op.56: 2. Mi-A-Ou BPM
The tempo marking of Dolly, Op.56: 2. Mi-A-Ou by Gabriel Fauré, Katia Labèque, Marielle Labèque is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Dolly, Op.56: 2. Mi-A-Ou Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Matti Raekallio | F Minor | 2 | 4A | 62 BPM | |
 | Piano Sonata No. 31 In A Flat Major, Op. 110: 2. Allegro molto | Ludwig van Beethoven, Daniel Barenboim | B♭ Major | 1 | 6B | 135 BPM | |
 | Concerto for 2 Pianos and Orchestra in E Major, MWV O 5: 3. Allegro | Felix Mendelssohn, Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov | E Major | 2 | 12B | 139 BPM | |
 | Piano Concerto No.1 In B Flat Minor, Op.23, TH.55: 3. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | B♭ Major | 3 | 6B | 101 BPM | |
 | Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | |
 | Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | |
 | Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | |
 | Free to X | Raphaël Seguinier, Katia Labèque, David Chalmin, Nicola Tescari | A♭ Major | 7 | 4B | 119 BPM | |
 | Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | |
 | Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7704916000366211
End: 0.7745954990386963