Maurice Ravel, Anne Queffélec made "Ravel: Le Tombeau de Couperin, M. 68: II. Fugue" available on January 18, 2019. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Ravel: Miroirs, Le Tombeau de Couperin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Ravel: Le Tombeau de Couperin, M. 68: II. Fugue is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ravel: Le Tombeau de Couperin, M. 68: II. Fugue by Maurice Ravel, Anne Queffélec having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
24 Preludes, Op. 11: No. 2 in A Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 0 | 4A | 65 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Lyric Pieces Book IX, Op. 68: No. 5 At The Cradle | Edvard Grieg, Emil Gilels | E Major | 0 | 12B | 78 BPM | ||
Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 73 BPM | ||
Bacarolle in G minor, Op.10, No.3 | Sergei Rachmaninoff | G Minor | 0 | 6A | 71 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Monique Haas | A♭ Major | 0 | 4B | 73 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 3 | 10B | 131 BPM | ||
Trout Quintet: Scherzo | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM |
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