"Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten" by Robert Schumann, Vladimir Horowitz was released on 1962. Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "Schumann: Kinderszenen; Arabesque; Fantasie; Träumerei". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten by Robert Schumann, Vladimir Horowitz having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - Vivace | Alexander Borodin, Budapest Haydn Quartet | D Major | 2 | 10B | 120 BPM | ||
Menuet sur le nom de Haydn | Maurice Ravel, Jean-Yves Thibaudet | G Major | 0 | 9B | 100 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM | ||
Faschingsschwank aus Wien, Op. 26: V. Finale (Il più vivace possibile) | Robert Schumann, Maria João Pires | F Major | 1 | 7B | 91 BPM | ||
Kreisleriana, Op.16: 4. Sehr langsam | Robert Schumann, Martha Argerich | C Minor | 0 | 5A | 53 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Nocturne No.10 In A Flat, Op.32 No.2 | Frédéric Chopin, Maurizio Pollini | A♭ Major | 0 | 4B | 76 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM |
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