Piano Concerto in G Major, M. 83: II. Adagio assai - Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez Information

Acousticness: 98%
Danceability: 13%
Energy: 2%
Instrumentalness: 95%
Liveness: 9%
Loudness: 42%
Speechiness: 4%
Valence: 4%
Popularity: 54%
Loudness: -34.595 dB

Summary

"Piano Concerto in G Major, M. 83: II. Adagio assai" by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez was released on January 1, 1998. Since Piano Concerto in G Major, M. 83: II. Adagio assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Ravel: Piano Concertos; Valses nobles et sentimentales". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Piano Concerto in G Major, M. 83: II. Adagio assai is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto in G Major, M. 83: II. Adagio assai BPM

With Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Piano Concerto in G Major, M. 83: II. Adagio assai Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L'enfant et les sortilèges, M. 71, Pt. 2: Part II: Il est bon, l'enfant, il est sage (The Beasts, L'enfant)	Maurice Ravel, Julie Pasturaud, Chœur Britten, Jeune Chœur symphonique, Orchestre National De Lyon, Leonard Slatkin	G Major	1	9B	105 BPM
Suite in B-Flat Major, HWV 434: IV. Menuet	George Frideric Handel, Khatia Buniatishvili	G Minor	0	6A	59 BPM
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca	Modest Mussorgsky, Ivo Pogorelich	D♭ Minor	0	12A	68 BPM
8 Études, Op. 42: No. 5 in C-Sharp Minor	Alexander Scriabin, Evgeny Kissin	D♭ Minor	2	12A	132 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Piano Concerto No.2 In B Flat, Op.83: 4. Allegretto grazioso - Un poco più presto	Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein	B♭ Major	2	6B	107 BPM
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34	Felix Mendelssohn, Jacqueline du Pré, Gerald Moore	D Major	0	10B	93 BPM
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso)	Antonín Dvořák, Khatia Buniatishvili	C Major	0	8B	77 BPM
Pavane pour une infante défunte	Maurice Ravel, Alexandre Tharaud	E Minor	0	9A	63 BPM

ISRC: DEF059405052
Label: L-M Records/RCA Records

Section: 0.6768820285797119

End: 0.6799559593200684