"Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra]" by Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz was released on September 4, 2012. Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Pfitzner: Symphony in C major - Schumann: Koncertstück for Four Horns". In this album, this song's track order is #6. Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito | Johannes Brahms, David Zinman | D Major | 2 | 10B | 97 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 4. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | F Minor | 4 | 4A | 80 BPM | ||
String Quartet No. 1 In D Major, Op. 11, TH.111: 1. Moderato e semplice | Pyotr Ilyich Tchaikovsky, Emerson String Quartet | D♭ Major | 1 | 3B | 149 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo (Allegro moderato) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E♭ Major | 3 | 5B | 132 BPM |
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