"Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso" by Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra was released on 1950. With this song being about 5 minutes long, at 5:09, "Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso" by Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Rubinstein: The Liszt Album". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso by Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 133 BPM | ||
Concerto No. 17 for Piano and Orchestra, K.453 in G: Andante | Arthur Rubinstein, Alfred Wallenstein | C Major | 0 | 8B | 73 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: I. Allegro | Wolfgang Amadeus Mozart, Arthur Rubinstein, Josef Krips | C Major | 1 | 8B | 166 BPM | ||
Nocturnes, Op. 37: No. 2 in G Major | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 78 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
3 Waltzes, Op. 34: No. 3 in F Major | Frédéric Chopin, Arthur Rubinstein | F Major | 0 | 7B | 144 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM |
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