Frédéric Chopin, Arthur Rubinstein's '3 Waltzes, Op. 34: No. 3 in F Major' came out on 1946. The duration of 3 Waltzes, Op. 34: No. 3 in F Major is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 3 Waltzes, Op. 34: No. 3 in F Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 151 in the song's album "The Original Jacket Collection - Rubinstein Plays Chopin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, 3 Waltzes, Op. 34: No. 3 in F Major's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Waltzes, Op. 34: No. 3 in F Major by Frédéric Chopin, Arthur Rubinstein having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
12 Études, Op. 10: No. 6 in E-Flat Minor | Frédéric Chopin, Jan Lisiecki | B Major | 0 | 1B | 72 BPM | ||
Mazurka No. 19 in B Minor, Op. 30 No. 2: Allegretto | Frédéric Chopin, Arturo Benedetti Michelangeli | A Major | 0 | 11B | 66 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 0 | 6A | 99 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM |
Section: 0.6051449775695801
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