"Recueil de chants, Op. 65: No. 6, Barcarolle" by Charles-Valentin Alkan, Bruce Liu was released on November 3, 2023. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of WAVES: Music by Rameau, Ravel, Alkan by Bruce Liu, Jean-Philippe Rameau, Charles-Valentin Alkan, Maurice Ravel. The song's track number on the album is #8 out of 25 tracks. Based on our data, Germany was the country where this track was produced or recorded. Recueil de chants, Op. 65: No. 6, Barcarolle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Recueil de chants, Op. 65: No. 6, Barcarolle by Charles-Valentin Alkan, Bruce Liu has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Recueil de chants, Op. 65: No. 6, Barcarolle being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Minor - Upright Piano | John Field, Alice Sara Ott | C Minor | 0 | 5A | 138 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Symphonie pour piano seul, Op. 39: II. Marcia funebre | Charles-Valentin Alkan, Igor Do Amaral | F Minor | 0 | 4A | 107 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 10, Increpatio | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM |
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