Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio - Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit Information

Acousticness: 97%
Danceability: 24%
Energy: 1%
Instrumentalness: 89%
Liveness: 14%
Loudness: 44%
Speechiness: 4%
Valence: 4%
Popularity: 20%
Loudness: -33.664 dB

Summary

"Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio" by Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit was released on January 1, 1981. Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Saint-Saëns: Piano Concertos Nos. 1-5". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio BPM

With Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio by Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Children's Corner, L. 113: 6. Golliwogg's Cakewalk	Claude Debussy, Pascal Rogé	E♭ Minor	0	2A	105 BPM
Sonata for cello and piano: II. Cavatine	Francis Poulenc, Alexandre Tharaud, Jean-Guihen Queyras	D♭ Major	0	3B	110 BPM
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia	Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung	F Major	1	7B	104 BPM
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance	Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	B♭ Major	1	6B	91 BPM
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor	Henryk Wieniawski, Itzhak Perlman	D Minor	3	7A	106 BPM
Violin Concerto In D, Op.35, TH. 59: 3. Finale (Allegro vivacissimo)	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	D Major	2	10B	81 BPM
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro	Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra	E♭ Major	7	5B	160 BPM
12 Études, Op. 10: No. 2 in A Minor "Chromatique"	Frédéric Chopin, Maurizio Pollini	D Minor	2	7A	178 BPM
Images - Book 2, L. 111: 2. Et la lune descend sur le temple qui fût	Claude Debussy, Pascal Rogé	E Major	0	12B	74 BPM
Sonata for Cello and Piano in G minor, Op. 19: 3. Andante	Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy	E♭ Major	0	5B	74 BPM

ISRC: GBF077910022
Label: L-M Records/RCA Records

Section: 0.6841206550598145

End: 0.6881637573242188