"Sonata for Cello and Piano in G minor, Op. 19: 3. Andante" by Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy was released on July 1, 1986. Since Sonata for Cello and Piano in G minor, Op. 19: 3. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Rachmaninov: Cello Sonata; Romance; Vocalise etc". In this album, this song's track order is #3. Sonata for Cello and Piano in G minor, Op. 19: 3. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Cello and Piano in G minor, Op. 19: 3. Andante by Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Wales Camerata, Owain Arwel Hughes | E Minor | 0 | 9A | 77 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM | ||
Piano Sonata No.3 in C, Op.2 No.3: 2. Adagio | Ludwig van Beethoven, Vladimir Ashkenazy | F♯ Minor | 2 | 11A | 80 BPM | ||
Piano Sonata No. 28 in A, Op. 101: 3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Ludwig van Beethoven, Vladimir Ashkenazy | A Major | 1 | 11B | 125 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2) | Wolfgang Amadeus Mozart, Friedrich Gulda, Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado | D Minor | 3 | 7A | 136 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Wiosna, B117 (arr. from Op. 74/2) | Frédéric Chopin, Vladimir Ashkenazy | G Minor | 0 | 6A | 173 BPM |
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