"3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)" by Clara Schumann, Sophie Kauer, Kunal Lahiry was released on March 8, 2023. The duration of 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) is about 3 minutes long, at 3:10. Based on our data, "3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in C. Schumann: 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) by Clara Schumann, Sophie Kauer, Kunal Lahiry is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Keyboard Sonata in F Minor, K. 466 - Upright Version | Domenico Scarlatti, Julius Asal | F Minor | 0 | 4A | 82 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Upright Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F Major | 0 | 7B | 100 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.7423083782196045
End: 0.7459521293640137