"Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend" by Robert Schumann, Jonathan Biss was released on April 5, 2004. The duration of Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Solo Piano by Robert Schumann, Jonathan Biss. The song's track number on the album is #15 out of 22 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend by Robert Schumann, Jonathan Biss has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Theme and Variations on the name Abegg, Op. 1: Abegg Variations, Op. 1 | Robert Schumann, Kotaro Fukuma | F Major | 1 | 7B | 99 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch) | Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser | A♭ Major | 2 | 4B | 71 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Allegro, ma non troppo | Robert Schumann, Christian Zacharias | A Major | 1 | 11B | 87 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
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