- BPM
- 67
- Key
- F Major
- Camelot
- 7B
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) - Robert Schumann, Lynn Harrell, Bruno Canino Information
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 2%
- Instrumentalness
- 95%
- Liveness
- 8%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 34%
- Loudness
- -26.849 dB
Summary
"Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano)" by Robert Schumann, Lynn Harrell, Bruno Canino was released on April 18, 1990. The duration of Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 22 in Andante cantabile by Lynn Harrell, Bruno Canino. Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) BPM
The tempo marking of Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) by Robert Schumann, Lynn Harrell, Bruno Canino is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | The Swan (Carnival of the Animals) | Camille Saint-Saëns, Lynn Harrell, Bruno Canino | F Major | 2 | 7B | 117 BPM | |
 | Sonata for 2 Pianos in D Major, K. 448/375a: II. Andante | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | G Major | 0 | 9B | 110 BPM | |
 | Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | |
 | Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | 6 Piano Pieces, Op. 26: No. 2, Pastoral Atmosphere | Toivo Kuula, Adam Johnson | F Major | 0 | 7B | 75 BPM | |
 | Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7010684013366699
End: 0.7050561904907227