"Elgar / Transc. Walter: Salut d'amour, Op. 12" by Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris was released on February 2, 2018. The duration of Elgar / Transc. Walter: Salut d'amour, Op. 12 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Elgar / Transc. Walter: Salut d'amour, Op. 12's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gautier Capuçon's "Intuition" album is number 6 out of 15. Elgar / Transc. Walter: Salut d'amour, Op. 12 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elgar / Transc. Walter: Salut d'amour, Op. 12 by Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam (Live) | Robert Schumann, Gautier Capuçon, Bernard Haitink, Chamber Orchestra of Europe | F Major | 0 | 7B | 83 BPM | ||
Auf Flügeln des Gesanges, Op.34, No.2 | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 0 | 10B | 92 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Trio for Piano, Violin & Cello No.1 in Bb Major, Op.99 D898: Andante un poco mosso | Franz Schubert, Renaud Capuçon, Gautier Capuçon, Frank Braley | E♭ Major | 0 | 5B | 88 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Pavane pour une infante défunte in G major, M. 19 | Maurice Ravel, Khatia Buniatishvili | E Minor | 0 | 9A | 63 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM |
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